. The best little jitterbugger in Baltimore. The show began in September of 1957 when an Arkansan named Winston Joe "Buddy" Deane was approached by Joel Chaseman, the head of programming at WJZ-TV. On Wednesday, NBC is broadcasting Hairspray Live! In 1984, he sold the station to a local college but bought it back in 1996. I was able after a while to afford some clothes from Lees of Broadway (whose selection of belted coats and pegged pants made it the Saks Fifth Avenue of Deaners). The show was a teen dance and music show and ran from 1957 to until 1964 on WJZ-TV until the show was canceled. Almost every rock 'n' roll star except Elvis graced the Deane Show stage. Soon after, he and his family moved to Memphis, Tenn. Why Europeans Dont Get Huge Medical Bills. . "Do You Love Me" by The Contours, or "Hide and Go Seek" by Bunker Hill). On Jan. 4, 1964, nearly five months after the first -- and only -- day that black and white kids danced cheek to cheek on TV in WJZ's studios, Buddy Deane put "The Party's Over" on the record player. Hairspray is the gift that never stops giving, Waters told an adoring crowd at New Yorks IFC Center this past weekend, the theater where Hairspray first opened thirty years ago. Hairspray is firmly rooted in 1960s America, but it offers both sophisticated and (tellingly) simplistic ways of understanding racism today. It was similar to Philadelphia's American Bandstand. The show was a teen dance and music show and ran from 1957 to until 1964 on WJZ-TV until the show was canceled.The show was a teen dance and music show and ran from 1957 to until 1964 on WJZ-TV until the show was canceled.The show was a teen dance and music show and ran from 1957 to until 1964 on WJZ-TV until the show was canceled. So there you have it. Seeing Hairspray as more than simply a post-racial American fantasy requires taking the storys teen dance show setting seriously. [1], Deane's dance party television show debuted in 1957 and was, for a time, the most popular local show in the United States. Committee members included Mike Miller, Charlie Bledsoe, Ron Osher, Mary Lou Raines, Pat(ricia) Tacey, and Cathy Schmink. GOD HELP US! The Buddy Deane Show was a highly visible regional program that asserted a racially segregated public culture. It was even in the papers. The films executive producer Craig Zadan argued that what makes Hairspray work is, you never feel like were on a soap box, or were preaching to you, or were saying this is a lesson you need to learn and yet, hopefully, you come away from it with something serious to talk about afterwards. There is no guarantee that viewers will take up these discussions, but Hairspray offers plenty of material for those who choose to do so. In 1957, Deane was chosen by former WITH associate Joel Chaseman to host "The Buddy Deane Show," a dance show for teenagers on WJZ-TV Channel 13. Once a month the show was all black; there was no black Committee. Whats great about the choreography in [You Cant Stop the Beat] is that, subtly, the black dancers and the white dancers have the same choreography, the executive producer Neil Meron said in the DVD commentary for the 2007 film. I remember it well, recalls Evanne. She was the one of the biggies who refused to be on the Board (they had power; a liked because of it). Joel Chaseman, also a DJ at WITH, became program manager of WJZ-TV when Westinghouse bought it in the mid-50s. With the show beginning at 2:30 in some years, cutting out of school early was common. It was the top-rated local TV show in Baltimore and, for several years, the highest rated local TV program in the country. Buddy Deane. Ten seconds to airtime. The Buddy Deane Show was a teenage dance party, on the air from 1957 to 1964. From then on, all bare shoulders were covered with a piece of net. The Rasmussen Reports daily Presidential Tracking Poll, sponsored by Matt Palumbo's MAN BEHIND THE CURTAIN for Friday shows that 46% of Likely U.S. But most have settled down to a very straight life. At frantic meetings of the Committee, many said, My parents simply wont let me come if its integrated, and WJZ realized it just couldnt be done. Some kids on the show went a little nuts, with stars in their eyes; they thought they were going to go to Hollywood and be moviestars.. Originally aired 11/5/1986. There were a lot of obscene phone calls., And the rumors, God, the rumors. I was playing bongos on them in between takes because it was hilarious and he thought it was hilarious and I didnt stop to think, what the hell am I doing?, shared actor Holter Graham, who was 15 years old during filming. In Hairspray (1988), Tammy Turner assists Corny Collins on the show. | The Buddy Dean Show was the inspiration for the "Corny Collins Show" in the 2007 musical. If "The Buddy Deane Show" didn't exactly end happily (canceled in 1964, it never did integrate the dancers), Waters remains a fan. Or Snuggle Dolls? Hairspray encourages its audience to take the fight to integrate a teenage TV show seriously, but it does so through songs, dances, and costumes that celebrate and satirize the 60s. As with the drapes and squares of the previous decade, she explains, there were two classes of people thenDeaners and Joe College. However, unlike during the song "The New Girl in Town" where the Dynamites get there song stolen by 3 committee members, the Buddy . For example, consider the comments of members of the "Committee" [the regularly featured White teenagers on that show] about boys having it worse than girls because boys weren't supposed to dance. 'Buddy' Deane; www.WashingtonPost.com -- The Messy Truth of The Real 'Hairspray.' But it went something like this: Buddy Deane was an exclusively white show. The Buddy Deane Show was a teen dance television show, created by Zvi Shoubin, hosted by Winston "Buddy" Deane (19242003), and aired on WJZ-TV (Channel 13), the ABC affiliate station in Baltimore from 1957 until 1964. The star system was born. A big strong line!) up the hill to the famous dance party set, the one that now houses People Are Talking. Washington D.C.'s The Milt Grant Show offered "Black Tuesday" and Baltimore's The Buddy Deane Show had "Negro Day" because . Also, read the comments in that same excerpt about the series only wanting "attractive" teenagers as featured dancers. We got out of the limousine and there was a huge crowd that went crazy when Divine jumped out, and it was such an exciting night, Waters said. Sometimes youd wrap your hair at night. Buddy called me up before the cameras, and I wasnt dressed my best. Rather than integrating, the show was canceled. Sure, as a teenager I was a guest on the show. This sentiment carries through to the songs lyrics. Other vices were likewise eschewed. This discrimination was explicitly or tacitly supported by an array of advertisers, television stations, music producers, city authorities, and federal communications officials. In mixed marriages (with non-Deaners), many of the outsiders resented their spouses pasts. "If you first appeared on The Buddy Deane Show then you could not appear on The Dick Clark Show," Deane said. Print Headline: Buddy Deane Show was huge hit for young viewers in the late 1950s, Copyright 2023, Northwest Arkansas Newspapers LLC. I wanted to dance., We had a saying: The show either makes you or breaks you,' says Kathy. It was called The Waverly Theater back then, and Waters, looking dapper in a purple pinstriped suit, recalled that night as one of the last times he saw his friend and muse Divine before his death. Its fairly neat, commercialized, and revisionist portrayal of 1960s Baltimore sharply contrasts with the current messy, national discussion of identity politicsa disjunction that could prompt new audiences to reevaluate their assumptions about how racism operates. 2003. Material from the Associated Press is Copyright 2023, Associated Press and may not be published, broadcast, rewritten, or redistributed. For example, Carole King appeared on the show playing her single "It Might as Well Rain Until September", nearly a decade before she burst to popularity with her landmark 1970 album, Tapestry. And Divine said, What drag queen would allow themselves to look like this?'. This weekly time slot became known as "Special Guest Day" by the Deane Show's white performers and "Black Monday" by Baltimore's Black teens. Just once. That show featured local teens who danced to the hits of the era, although the entire cast was white except for one episode every other Friday for Black kids. The Buddy Deane Showwas a teen dancetelevision show, created by Zvi Shoubin, hosted by Winston "Buddy" Deane(1924-2003), and aired on WJZ-TV(Channel 13), the ABCaffiliate station in Baltimorefrom 1957 until 1964. After you sprayed it, youd get toilet paper and blot it. Because Buddy Deanes competition was soap operas, the budding teenage romances were sometimes played up for the camera. With the 1960s came a whole new set of stars, some with names that seemed like gimmicks, but werent: Concetta Comi, the popular sister team of Yetta and Gretta Kotik. In my on-going search for African American footage I stumbled across this article in Google. Joe remembers a sport coat I bought for $5 from somebody who got it when he got out of prison. Here, Clark's memories of American Bandstand are nested in an overview of important events in U.S. history from the 1950s and 1960s. Unlike the tensions that followed the real integration of the Buddy Deane Show, Waterss Hairspray ends with the protesters triumphing. Black teens were only allowed to dance on the show one day per month. He was one of the first to showcase rock and roll music on a continual basis. From 1968 into 1973, the public television variety show SOUL! "Hairspray" will continue at East Ridge High School through April 23. The Buddy Deane Show was a teen dance television show, created by Zvi Shoubin, hosted by Winston "Buddy" Deane (1924-2003), and aired on WJZ-TV (Channel 13), the ABC affiliate station in Baltimore from 1957 until 1964. Ric Ocasek as the Beatnik cat; Pia Zadora as the Beatnik chick; Production. 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